Category Archives: Research

Research tips.

DEATH IS IN THE AIR: Cadaver Dogs Pick Up the Scent

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While writing Primary Source, the fifth book in the Aimee Machado Mystery series, I was surprised to discover that many cadaver dogs and their handlers are volunteers. This fascinating topic led to further research and another chance to share facts I’ve learned by writing fiction.

Here’s what I’ve learned about Human Remains Detection Dogs, more commonly referred to as cadaver dogs.

Why does law enforcement rely so heavily on volunteer cadaver dogs? It’s usually a matter of cost. Human remains detection dogs are specialists and are not needed on a daily basis the same way a regular K9 patrol dog is used. Many smaller law enforcement agencies do not have the funding to train and maintain a cadaver dog that may be used only a few times a year.

That brings up another fact. Dogs trained for search and rescue, or to sniff out drugs, are not usually cross-trained as cadaver dogs because of the differences in the types of scents. Drug dogs are trained to recognize drugs, cadaver dogs are trained to recognize human remains.

And just how are those cadaver dogs trained? Most canines take around 18 months to two years to be fully trained. While they are often Labrador retrievers or German shepherds, the breed is not as important as a dog with the requisite traits: good energy, ability to focus, obedience and a good nose. Depending on the breed, a dog’s sense of smell is around 100 to 1,000 times greater than a human’s, but the dog still needs direction and training.

Here’s a term I had not heard until I began this research: pseudo corpse scent. Yep. It’s just what you think: an ersatz odor created to mimic the scent of death. It comes in three different formulas: recently dead, decomposed, and drowned.

However, some expert trainers recommend using the real thing, because human blood has unique organic compounds. Sometimes searches involve dangerous areas like collapsed buildings. Before risking injury to themselves or their dogs, handlers want to be certain the dog is hitting on human remains rather than a dead stray animal, or even a pet. It is legal in the U.S. to obtain bodily components like human placenta and blood, but that is not always easy, so some handlers resort to using their own blood for training purposes.

The dog is often trained to associate the smell of death with its favorite toy, and when ready, it should be trained to search night or day, in various kinds of terrain, from wilderness to rural farmlands to the concrete environment of urban settings. The scent of death could be old dry bones or even a death as recent as one hour before the search began. When the canine discovers the source of the scent, it should sit or lie down calmly. Digging, jumping around, or even urinating could destroy evidence.

Dog owners interested in volunteering to train their animals for this work might benefit by forming relationships with their local law enforcement agencies. Handlers should be physically fit and able to pass background checks. Other important skills include working with maps and GPS. They must also have the disposition to remain composed no matter what their dog might uncover.

Visit the links below or use the keywords “human remains detection dogs” or “cadaver dogs” to search for more information on this topic.

https://www.nytimes.com/2015/06/21/magazine/how-to-train-a-cadaver-dog.html

https://www.theguardian.com/lifeandstyle/2015/sep/08/cadaver-dogs-trained-to-smell-death

https://news.nationalgeographic.com/news/2013/10/1310xx-working-dog-dead-body-cat-warren-science/

In Primary Source, the fifth book in the Aimee Machado Mystery series, Aimee and Nick are assisted in their search for evidence by Ginger, their Chesapeake Bay retriever recently trained as a volunteer Human Remains Detection Dog.

All of the books in the series are available online in paperback and eBook formats from Amazon and Barnes & Noble, and by order from your local bookstore. The series is published by Camel Press, an imprint of Epicenter Press in Kenmore, Washington

You Gotta Have Heart-And Other Vital Organs

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Many of our hearts are touched when we see a human-interest story about organ donation. We feel grateful that there are donors among us who have made a second chance at life possible for another human being. But how much do we really know about this amazing gift?

While writing Primary Source, book five in my Aimee Machado Mystery series, I discovered many details about organ donation that otherwise I might never have known. One more example of facts I’ve learned while writing fiction.

The search term “Organ Donation” on Google produces 64,400,000 hits, which tells us there is a lot of information available. But despite continuing efforts at public education, there are many myths, misconceptions and inaccuracies about donation.

One fact that is easily understood is that there are 115,000 people in the U.S. waiting for a transplant. Another fact, perhaps not so well understood, is that it is not necessary to die to become a donor. There are two categories of organ donation: living donors and deceased donors.

Living Donors

Living-donor transplantation offers an alternative to waiting for a deceased-donor organ to become available.

The Mayo Clinic, one of the largest living-donor kidney transplant programs in the United States, estimates that in the U.S., about 6,000 living-organ donations are reported each year. Kidney donation is the most common living-donor procedure. After one kidney is donated, the donor’s remaining kidney performs the necessary functions for life. More than 45 percent of kidney transplants at Mayo Clinic come from living donors.

Living donors can also donate a portion of their liver, and the remaining liver will regenerate, grow back to nearly its original size, and perform its normal function. Though kidney and liver are the most common types of living-donor organ procedures, living people may also donate tissues for transplantation, such as blood, skin and bone marrow.

Deceased Donors

There are 8 organs that can be donated by a deceased donor: the liver, lungs, heart, kidneys, pancreas and small intestine. Donor tissues can also improve the quality of life for many ill people. They include skin, corneas, bone tissue including tendons and cartilage, heart valves and blood vessels.

The current model for deceased donors in the U.S. presumes that organs and tissues belong to the individual and cannot be appropriated without some kind of permission or authorization from that individual or a surrogate. This is referred to as “the donation model.”

Some other countries follow the model of “presumed consent,” otherwise described as “deceased organ recovery without explicit consent or authorization.” In that model, the individual who does not want his or her organs donated after death, must take steps before death to “opt out” as a donor.

Whether choosing to be a living donor or a deceased donor, it is important to know that of the more than 145 million people registered as organ donors, only about 3 in 1,000 can actually become donors when they die.

Qualifications as a donor

All people may consider themselves potential organ and tissue donors—regardless of age, health, race, or ethnicity. No one is too old or too young to be a deceased donor and most major religions support donation.

Even those with an illness or a health condition may be able to donate organs and/or tissues upon death. If the situation arises, doctors will examine the organs and determine whether they are suitable for donation. Only a few conditions would absolutely prevent a person from becoming a donor—such as active cancer or a systemic infection.

In the U.S. all people age 18 and older can register to be an organ, eye, and tissue donor. You can choose what you wish to donate, and you can change your status at any time. In many states, people younger than 18 can also register, although their families will have the final say if the occasion arises for donation before they turn 18.

Visit these websites and more to learn the facts about organ donation:
United Network for Organ Sharing https://unos.org/
Organ Procurement and Transplantation Network https://optn.transplant.hrsa.gov/
Mayo Clinic https://www.mayoclinic.org/healthy-lifestyle/consumer-health/in-depth/organ-donation/art-20047529

Primary Source is book 5 in the Aimee Machado Mystery series published by Camel Press (an imprint of Epicenter Press) and Harlequin Worldwide Mysteries.

The series is available in print and e-Book format from Amazon, Barnes & Noble, and by request from your local bookstore. Visit again soon when I’ll share more facts I’ve learned by writing fiction. 

IED HAS TWO MEANINGS – BOTH ARE EXPLOSIVE

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You might think you know what an IED is. I thought I did, but I was only half right. Most of us who have followed the various military conflicts in the Middle East are familiar with the term. It’s an abbreviation for a deadly roadside weapon called an Improvised Explosive Device.

There is another IED, however, which is often described as a “temper tantrum,”  or “flying off the handle,” but it is more than that. It is a psychological diagnosis found in the Diagnostic and Statistical Manual of Mental Disorders (DSM-5 for short), and it’s called Intermittent Explosive Disorder. Coincidentally, it can also be set off on a roadside, as seen in cases of road rage. This diagnosis is another fact I’ve learned by writing fiction.

In Breach of Ethics, book three of my Aimee Machado Mystery series, an angry outburst occurs in a most unlikely setting—a hospital conference room during a meeting of the Ethics Committee. Until I wrote the scene, I had never heard of this other IED. Taking on the persona of my protagonist, a hospital-based health sciences librarian, I decided to research impulsive rage, and in doing so, I discovered Intermittent Explosive Disorder.

In some cases, as in extreme road rage incidents, this lesser-known IED does turn deadly. As defined by the Mayo Clinic, “Intermittent Explosive Disorder involves repeated, sudden episodes of impulsive, aggressive, violent behavior or angry verbal outbursts . . . grossly out of proportion to the situation. Road rage, domestic abuse, throwing or breaking objects, or other temper tantrums may be signs of intermittent explosive disorder.” Simply put, this explosive disorder brings out the beast in some of us in a terrifying manner.

Once diagnosed, treatment might include a combination of cognitive behavioral therapy and medications, including antidepressants, anticonvulsants, antianxiety and mood regulators.

For more detailed information on diagnosis and treatment of this disorder, visit the sites shown below.

https://www.mayoclinic.org/diseases-conditions/intermittent-explosive-disorder/symptoms-causes/syc-20373921
https://www.psychologytoday.com/us/conditions/intermittent-explosive-disorder
https://www.health.harvard.edu/newsletter_article/treating-intermittent-explosive-disorder
https://my.clevelandclinic.org/health/diseases/17786-intermittent-explosive-disorder

The Aimee Machado Mystery series, published by Camel Press and Harlequin Worldwide Mysteries, is available in print and e-Book format from Amazon, Barnes & Noble, and by request from your local bookstore. Visit again soon to learn more facts I’ve learned by writing fiction. Primary Source, book 5 in the series, is due for release in mid-February.

(Bear photo by Andre Tan on Unsplash)

 

Music Makes Mystery Memorable

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As a very small child, I recall my mother playing “The Third Man Theme” on her accordion. It was a compelling tune that evoked vivid memories for her of the 1949 suspense film, The Third Man. If you’ve never seen it, I highly recommend that you add it to your film list. Visit the following link for more about The Third Man.

https://en.wikipedia.org/wiki/The_Third_Man

I suspect Mom’s fondness for the movie and the tune stemmed from her belief that Joseph Cotton, the handsome leading man, bore a remblance to my father.

The movie version of the “The Third Man Theme” was played on the zither. The YouTube version at the link below captures its essence and provides some still clips from the film, which the British Film Institute voted the greatest British film of all time. Listen for a bit and decide whether this theme might linger in your mind long after seeing the film.

https://www.youtube.com/watch?v=n2N5RXvzhrs

With this memory in mind, I began to think of the music I chose for my novels when writing the Aimee Machado Mysteries. As the series grew, each book lent itself to a different genre. So far, these have included country, blues, classical piano, and in Spine Damage, the most recently released book, fado. In the U.S., fado is likely the least known of these musical genres, but in the Azores Islands and in Portugal, it is part of the fabric of the country. Fado became my choice of music genre for Spine Damage, because the story spans the globe from rural Northern California to the Azores Islands of Faial and Pico in the nine-island Atlantic archipelago.

In this fourth book in the series, the solution to the mystery is advanced by the discovery of links between Ana Moura, a real-life Portuguese female vocalist who is possibly the most famous fado singer in the world, and two iconic American musicians: Prince and Mick Jagger. The links between these musical artists are real and easily researched.

https://www.youtube.com/watch?v=42p0_L_ycFk

Here is a sample of Moura’s artistry:

https://www.youtube.com/watch?v=_Ia1ECfWJCM

Visit these links for more about Ana Moura and fado music.

https://www.newyorklatinculture.com/ana-moura-fado-town-hall

https://www.visitportugal.com/en/node/73868

Books in the hospital-based Aimee Machado Mysteries are published by Camel Press (an imprint of Epicenter Press) and are available for purchase in print and eBook format from Amazon, Barnes and Noble, Kobo, and from your local bookstore.

Camel Press

Want to Get Away with It? Commit Your Crime in International Waters

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Welcome to another fact I’ve learned by writing fiction.

This concerns what happens when a beautiful fifteen-year-old girl disappears after attending a yacht  party in the Portuguese Azores Islands. In Spine Damage, book four of the Aimee Machado Mystery series, family connections motivate Aimee to find the missing Azorean girl, but research into crime on the high seas reveals a stark reality. When crimes are committed in international waters, the victims often have no recourse.

A few years ago, Somalian pirates were making international headlines that resulted in Tom Hanks being cast to portray the captain of the hijacked Maersk Alabama—the case on which the movie Captain Phillips was based.

But piracy is just one example of crimes on the high seas. The list is long, and the highly diverse range of criminal activities are often underreported. It includes theft, rape and murder aboard cruise lines and private sailing vessels; drug smuggling and human trafficking; and illegal poaching of marine wildlife. And even today, unsuspecting citizens of poor countries are being shanghaied onto vessels where they’re forced to work under brutal conditions. Those who complain are likely to disappear.

What legal safeguards are in place to protect victims against these crimes?

www.britannica.com states in part:

“. . . maritime countries essentially control their territorial waters from the shore out to a distance of 12 miles . . . Within this zone, all laws of that country apply. With respect to international crimes [beyond the 12-mile limit] . . . any country or international organization can theoretically claim authority over the matter using the concept of universal jurisdiction . . . and try the assailants in their own national (or international) courts. Since the laws of individual countries and international courts are not recognized by all countries, however, there is often no fully accepted referee. Government officials in one country might choose not to recognize the legal authority of another.”

Back to our story . . .

Aimee is distressed by what she learns about crime in international waters, so she and her gang of crime-solvers travel from Timbergate, California to the mid-Atlantic Azores Islands and back seeking clues. Meanwhile, the missing teen’s fate remains unknown. Relentless pursuit of the truth finally uncovers the crime, but is it too little, too late?

For more information on crime in international waters, visit these sites:

https://www.britannica.com/story/are-there-laws-on-the-high-seas

http://mentalfloss.com/article/51708/are-high-seas-criminal-paradise

https://www.nytimes.com/roomfordebate/2015/07/23/sailing-beyond-the-rule-of-law/fight-high-seas-crime-with-accountability-and-commitment-to-prosecute

https://crimereads.com/crime-on-the-high-seas/

Visit www.sharonstgeorge.com again soon for another fact I’ve learned while writing fiction. 

Books in the hospital-based Aimee Machado Mysteries are published by Camel Press (an imprint of Epicenter Press) and are available for purchase in print and eBook format from Amazon, Barnes and Noble, Kobo, and from your local bookstore.

http://camelpress.com