Music Makes Mystery Memorable

As a very small child, I recall my mother playing “The Third Man Theme” on her accordion. It was a compelling tune that evoked vivid memories for her of the 1949 suspense film, The Third Man. If you’ve never seen it, I highly recommend that you add it to your film list. Visit the following link for more about The Third Man.

https://en.wikipedia.org/wiki/The_Third_Man

I suspect Mom’s fondness for the movie and the tune stemmed from her belief that Joseph Cotton, the handsome leading man, bore a remblance to my father.

The movie version of the “The Third Man Theme” was played on the zither. The YouTube version at the link below captures its essence and provides some still clips from the film, which the British Film Institute voted the greatest British film of all time. Listen for a bit and decide whether this theme might linger in your mind long after seeing the film.

https://www.youtube.com/watch?v=n2N5RXvzhrs

With this memory in mind, I began to think of the music I chose for my novels when writing the Aimee Machado Mysteries. As the series grew, each book lent itself to a different genre. So far, these have included country, blues, classical piano, and in Spine Damage, the most recently released book, fado. In the U.S., fado is likely the least known of these musical genres, but in the Azores Islands and in Portugal, it is part of the fabric of the country. Fado became my choice of music genre for Spine Damage, because the story spans the globe from rural Northern California to the Azores Islands of Faial and Pico in the nine-island Atlantic archipelago.

In this fourth book in the series, the solution to the mystery is advanced by the discovery of links between Ana Moura, a real-life Portuguese female vocalist who is possibly the most famous fado singer in the world, and two iconic American musicians: Prince and Mick Jagger. The links between these musical artists are real and easily researched.

https://www.youtube.com/watch?v=42p0_L_ycFk

Here is a sample of Moura’s artistry:

https://www.youtube.com/watch?v=_Ia1ECfWJCM

Visit these links for more about Ana Moura and fado music.

https://www.newyorklatinculture.com/ana-moura-fado-town-hall

https://www.visitportugal.com/en/node/73868

Books in the hospital-based Aimee Machado Mysteries are published by Camel Press (an imprint of Epicenter Press) and are available for purchase in print and eBook format from Amazon, Barnes and Noble, Kobo, and from your local bookstore.

http://camelpress.com

Heard any accordion jokes lately? Who Hasn’t?

CIMG1304The accordion has been much maligned throughout its history. Each time I hear someone belittle accordion music, my hackles rise. I must come to the defense of my late mother, an extraordinary musician who made beautiful music on her accordion. Have the detractors of the accordion never heard the romantic and evocative strains of Lady of Spain or a haunting accordion rendition of The Third Man Theme?

Maybe not, those musical delights are from a bygone era. But there are other more modern musicians who have incorporated the accordion into their repertoires. The instrument brings its subtle but enchanting sound to the music of a variety of artists, from the fifties up to the present day. Those delightful notes and chords often go unrecognized, leaving the accordionist an unsung hero of many musical hits. Superstar musicians who have used the accordion to enhance their musical numbers include The Beach Boys, The Beatles, Billy Joe, Bruce Springsteen, Grace Jones, R.E.M., The Rolling Stones, Talking Heads, Tom Waits and many, many more.

One of my favorite Pandora Radio Stations is the one I created when I discovered Dan Newton’s CafĂ© Accordion Orchestra. It is reminiscent of the music heard in Paris bistros of the twenties. It set the perfect mood when I was writing the second novel in my Aimee Machado Mystery series.

Aimee and her co-workers sometimes have lunch at a restaurant near the hospital where they work. The character of Margie, the restaurant’s proprietor who sometimes plays accordion solos for her patrons, was inspired by my late mother. So here’s to Mom and her lifelong love of the accordion. May she live on musically in the pages of the Aimee Machado Mysteries. And whenever I hear an accordion, I’ll continue to say, “Thanks for the memories.”